In today's excerpt--In Delanceyplace.com is Pizza:

"A staggering 93 percent of Americans eat pizza at least once a month. According to one study, each man, woman, and child consumes an average of 23 pounds of pie every year. ... Pizza, like teenagedom and rock 'n' roll, is a lasting relic of America's mid-twentieth-century embrace of good times. ...

"Modern pizza originated in Italy, although the style favored by Americans is more a friend than a relative of the traditional Neapolitan pie. Residents of Naples took the idea of using bread as a blank slate for relishes from the Greeks, whose bakers had been dressing their wares with oils, herbs, and cheese since the time of Plato. The Romans refined the recipe, developing a delicacy known as placenta, a sheet of fine flour topped with cheese and honey and flavored with bay leaves.

"Neapolitans earned the right to claim pizza as their own by inserting a tomato into the equation. Europeans had long shied away from the New World fruit, fearing it was plump with poison. But the intrepid citizens of Naples discovered the tomato was not only harmless but delicious, particularly when paired with pizza. Cheese, the crowning ingredient, was not added until 1889, when the Royal Palace commissioned the Neapolitan pizzaiolo Raffaele Esposito to create a pizza in honor of the visiting Queen Margherita. Of the three contenders he created, the Queen strongly preferred a pie swathed in the colors of the Italian flag: red (tomato), green (basil), and white (mozzarella). ...

"Pizza crossed the Atlantic with the four million Italians who by the 1920s had sought a better life on American shores. ... Although non-Italians could partake of pizza as early as 1905, when the venerable Lombardi's--the nation's first licensed pizzeria--opened its doors in Lower Manhattan, most middle-class Americans stuck to boiled fish and toast. The pungent combination of garlic and oregano signaled pizza as 'foreign food,' sure to upset native digestions. ...

"The number of parlors in the United States skyrocketed from 500 in 1934 to 20,000 in 1956. ... Unlike other ethnically derived foods that enjoyed faddish popularity in modern America, pizza never masqueraded as exotic. Its consumers didn't aspire to be cosmopolitan or courageous. They were simply drawn in by the bewitching interplay of tomatoes, bread, and cheese--drawn in so strongly that by 1958 the novelty singer Lou Monte could issue an album called Songs for Pizza Lovers. ...

"Sophia Loren in 1959 told the Los Angeles Times that having been raised in Italy to consider pizza the food of poverty, she pitied Americans when she saw how many pizza joints they had. 'So I think America not so rich after all. Then I find eating pizza here is like eating hot dog--for fun.' ... The image was polished in 1953 when Dean Martin swung his way through 'That's Amore!,' an Italian-flavored love song that famously compared the moon to 'a big pizza pie' (a phrase that irritated exacting food writers, who insisted it was redundant).

Hanna Miller, "American Pie: How a Neapolitan street food became the most successful immigrant of all," American Heritage, April/May 2006, Volume 57, Issue 2.

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Dean Martin (born Dino Paul Crocetti; June 7, 1917 – December 25, 1995) was an American singer, film actor and comedian of Italian descent. He was one of the best known musical artists of the 1950s and 1960s. Martin's hit singles included "Memories Are Made Of This", "That's Amore", "Everybody Loves Somebody", "Mambo Italiano", "Sway", "Volare" and "Ain't That A Kick In The Head?" One of the organizers of "The Rat Pack", he was a major star in four areas of show business: concert stage...

DEAN MARTIN - Singing "THAT'S AMORE"

Born in Steubenville, Ohio, Martin dropped out of school in the 10th grade because he thought that he was smarter than his teachers. He delivered bootleg liquor, served as a speakeasy croupier, wrote crafty anecdotes, was a blackjack dealer, worked in a steel mill and boxed as welterweight. At the age of 15, he was a boxer who billed himself as "Kid Crochet" (Kro-Shey). His prizefighting years earned him a broken nose (later fixed), a permanently split lip, and many sets of broken knuckles (a result of not being able to afford the tape used to wrap boxers' hands). He won just one of his 12 bouts.[1] For a time, he roomed with Sonny King, who like Martin, was just starting in show business and had little money. Martin and King held bare-knuckle matches in their apartment, fighting until one of them was knocked out; people paid to watch.

Eventually, Martin gave up boxing. He worked as a roulette stickman and croupier in an illegal casino behind a tobacco shop where he had started as a stock boy. At the same time, he sang with local bands. Calling himself "Dino Martini" (after the then-famous Metropolitan Opera tenor, Nino Martini), he got his first break working for the Ernie McKay Orchestra. He sang in a crooning style influenced by Harry Mills (of the Mills Brothers), among others. In the early 1940s, he started singing for bandleader Sammy Watkins, who suggested he change his name to Dean Martin.

In October 1941, Martin married Elizabeth Anne McDonald. During their marriage (ended by divorce in 1949), they had four children. Nick Tosches states in his 1992 biography Dino: Living High in the Dirty Business of Dreams (Delta, USA ) the cause of their divorce was Martin's constant physical abuse of his wife. Martin worked for various bands throughout the early 1940s, mostly on looks and personality until he developed his own singing style. Martin famously flopped at the Riobamba when he succeeded Frank Sinatra there in 1943, but it was the setting for the men's introduction.

Martin repeatedly sold 10 percent shares of his earnings for up front cash. He apparently did this so often that he found he had sold over 100 percent of his income. Such was his charm that most of his lenders forgave his debts and remained friends.

Drafted into the United States Army in 1944 during World War II, Martin served a year stationed in Akron, Ohio. He was then reclassified as 4-F (possibly due to a double hernia; Jerry Lewis referred to the surgery Martin needed for this in his autobiography) and was discharged.

By 1946, Martin was doing relatively well, but was still little more than an East Coast nightclub singer with a common style, similar to that of Bing Crosby. He drew audiences to the clubs he played, but he inspired none of the fanatic popularity enjoyed by Sinatra.

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